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Video Material


Soho Editors ShowreelHas a video

07/06/2012

in Features

Macvideo Staff
Soho Editors freelance talent recruitment agency only works with the best. Whether you need a reliable and skilled editor or audio mixer for an important project, or simply want to educate yourself on the most cutting edge post-production technology, Soho Editors is the premier agency to accommodate all of your post-production staffing and training needs


Live vision mixing with the Datavideo SE-2000, HD SDI vision switcherHas a video

16/02/2012

in Features

RIck Young
Vision mixing on location has traditionally been very expensive, requiring a significant amount of peripheral products. The affordable Datavideo SE-2000 offers HD quality inside of a portable unit which features: up to 5 inputs (4 HD SDI, & DVI); built in audio mixer; HD quality from input to output.



Vision Research, the company behind the Phantom high-speed cameraHas a video

07/02/2012

in Features

Rick Young
Key Features of the Phantom Flex: Up to 2,570 fps at 1920x1080 in Standard Mode; 12-bit pixel depth; 1200 ISO (measured using ISO 12232 SAT method); HQ Mode provides ultimate in image; stability under changing shooting conditions; 2 x 4:2:2 HD-SDI video ports, can be configured as dual-link 4:4:4 video


Editing with Smoke on the MacHas a video

24/01/2012

in Features

Rick Young
Autodesk’s, Marc Hamaker, talks about editing on Smoke on the Mac. While the system is undeniably as finishing tool, Smoke also features a full-blown editor, enabling uncompressed 4:4:4 or 4:2:2 output, and a host of capabilities not found in a standard editing application.


Michael Wohl - features of Final Cut Pro XHas a video

07/01/2012

in Features

Rick Young
Michael Wohl, who worked on the original Final Cut Pro development team, shows how to get the most out of Final Cut Pro X, by learning the subtle features and hidden tricks to speed up your workflow. Underneath the hood of what appears obvious, are many little "things" that makes this editor unique. Recorded at FCPUG IBC SuperMeet, September, 2011.


Best of MacVideo Interview 2011Has a video

29/12/2011

in Features

Rick Youjg
Featuring: Impressions of Final Cut Pro X: Steve Martin; Ned Soltz; Walter Murch talks about Final Cut Pro X; Gary Adcock - views on FCPX; Adobe; Avid; Smoke on the Mac and more; MTF electronic lens adapter for Canon EOS lenses available imminently for large sensor video cameras; Jon Thorn talks Thunderbolt & more; Sony NEX-FS100: Den Lennie, F-Stop Academy



Best of MacVideo Movies 2011Has a video

29/12/2011

in Features

Rick Young
10 of the best movies shown on MacVideo throughout 2011: featuring, Apple previews Final Cut Pro X; Walter Murch: the FCPX situation; Organising your footage using Final Cut Pro X; Michael Wohl - features of Final Cut Pro X; Shooting with the PMW-F3, Chasing the Ninja; Philip Bloom: Choosing the right camera for the job; Testing the Rycote softie


Simon Walker presents Grading in Premiere ProHas a video

13/12/2011

in Features

Rick Young
Apple Certified Master Trainer and Adobe Certified Instructor Simon Walker has been migrating from grading in FCP7 and Color, to using the tools in Adobe's Production Premium to colour correct and grade footage. In this session he shares some of the processes he has found useful, and how plug-ins help him work faster.


Philippe Baudet: live production switching on locationHas a video

29/11/2011

in Features

Rick Young
Philippe Baudet, FCP editor for 10 years and one of Europe's first Apple Solution's Expert Video, bridges the gap between post-production and live event production. He discusses his journey from being a FCP editor in post-production, to now being one of the biggest systems integrators in Luxembourg - building OB trucks and vans with Macs and Blackmagic Design's ATEM production switchers.


Greg Estes, NVIDIA: The Quadro 4000Has a video

28/11/2011

in Features

Rick Young
Why spend the money on an expensive graphics card? Greg Estes, NVIDIA's Industry Executive for Media and Entertainment, explains the advantages which a powerful graphics card can bring to the video post-production environment. The right graphics card in combination with software which will takes advantage of what the graphics card offers, can serious accelerate and boost system performance.


Rick Young live demo: Editing with Final Cut Pro X (part 2)Has a video

22/11/2011

in Features

Rick Young
Rick Young runs through the core knowledge needed to edit using Final Cut Pro X. Key functions are shown, including accessing footage from the Events Library, marking Favorites, editing footage into the Timeline, manipulating footage in the Timeline, adding titles, adjusting opacity.


Exclusive Interview: Walter Murch talks about Final Cut Pro X (part 3)Has a video

21/11/2011

in Features

Rick Young
Walter Murch talks openly about Final Cut Pro X; the reaction of the editing community; and his thoughts on what he has seen of the latest incarnation of Final Cut Pro. Walter is highly regarded as someone who breaks boundaries and explores different approaches to filmmaking and the technology behind the process.


Exclusive Interview: Walter Murch talks about Final Cut Pro X (part 2)Has a video

14/11/2011

in Features

Rick Young
Walter Murch talks openly about Final Cut Pro X; the reaction of the editing community; and his thoughts on what he has seen of the latest incarnation of Final Cut Pro. Walter is highly regarded as someone who breaks boundaries and explores different approaches to filmmaking and the technology behind the process.


Rick Young: Organising your footage using Final Cut Pro XHas a video

14/11/2011

in Features

Rick Young
Rick Young runs through essential processes for organising your media with Final Cut Pro X. Using features such as Batch Renaming, adding searchable logging notes, and Keywording. See just how simple it is to label and organise all of your media. Final Cut Pro X offers the means to harness the power of a sophisticated, searchable database to facilitate the editing process.


Walter Murch: the FCPX situationHas a video

07/11/2011

in Features

Rick Young
Recorded live at the Boston SuperMeet, October 27, 2011. Walter tells of his immediate thoughts when Final Cut Pro X was released; what the program lacked and why it was unsuitable for feature film production. He explains what Apple has done, in the meantime, to improve the application and where he hopes this will go next. Walter has been an advocate of previous versions of Final Cut Pro; his thoughts regarding FCPX have been widely anticipated.


Exclusive Interview: Walter Murch talks about Final Cut Pro X (part 1)Has a video

07/11/2011

in Features

Rick Young
Walter Murch talks openly about Final Cut Pro X; the reaction of the editing community; and his thoughts on what he has seen of the latest incarnation of Final Cut Pro. Walter is highly regarded as someone who breaks boundaries and explores different approaches to filmmaking and the technology behind the process. His thoughts regarding the direction Apple has chosen to go are definitely worth hearing.


Steenbeck editing tables in the 21st centuryHas a video

15/10/2011

in Features

Rick Young
In the 1970's video editing was primitive and film production ruled the scene. Several film editing manufacturers produced editing tables. In Europe, king of the roost was Steenbeck. The company offered a flatbed editing table with excellent image display, and various models with up to 6 or 8 plates available.


Former Apple CEO Steve Jobs dies at 56 (Video)Has a video

06/10/2011

in News

Philip Michaels
Steve Jobs, Apple's co-founder and its CEO through a period of record growth and innovation for the company, has died. He was 56.


From friends and fans, Steve Jobs tributes pour in (Video)Has a video

06/10/2011

in News

Robert McMillan
As news of the death of Steve Jobs spread around the internet, the tributes came pouring in Wednesday, crediting Apple's co-founder and chairman with -- more than once -- changing computing as we know it.


Matt Davis: switching from Final Cut Pro to Adobe Premiere ProHas a video

03/10/2011

in Features

Rick Young
After editing for a decade using Final Cut Pro, Matt Davis explains what's it like to switch to Adobe Premiere Pro? Matt talks about making the transition from Final Cut Pro 7 and the rest of the Studio, to Premiere Pro 5.5 and the Adobe Creative Suite. He explains the advantages, the pitfalls, and the surprises.


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